Reprise: Art then, now

29th January 2013

Another post from our archives, this time from 8 March 2011, when I was about to teach a very similar class to the one that I will give at the Royal College of Art tomorrow. I am delighted to be contributing more

Pride and Prejudice: 12 for 200

28th January 2013

I thought others might do this to mark the anniversary today of the publication of Jane Austen's great and glorious Pride and Prejudice. But as I've yet to see such an anthology, I thought I would make one for myself - more

Links for the weekend

27th January 2013

I'm not going to apologise for leading again with Randy Moore's Escape from Tomorrow(above), the Sundance-premiered film that was shot in secret at Disney World and Disneyland. I particularly want to draw your attention to It's a mad, mad, more

Videos for the weekend

26th January 2013

A selection of interesting videos that I came across during the past week and - well, that's it really... Above is an image from the Saul Bass title sequence to Otto Preminger's Carmen Jones (1954), a film discussed by Christian more

The invisible films of Alan Clarke

23rd January 2013

Why is the work of one of our greatest filmmakers - the director Alan Clarke - all but invisible? This is not a new question. Nor do I have anything original by way of an answer. But the issue is much more

Reprise: Art and artists on pre-war television

22nd January 2013

In another post from the blog's archive (previously published on 17 July 2010) I take a look at the visual arts on BBC Television between 1936 and 1939. I was reminded of this because I am teaching again at the more

Links for the weekend

20th January 2013

The great story out of Sundance is the shooting at Disneyland and Disney World of Randy Moore's movie Escape from Tomorrow without any location permissions or copyright clearances. Believe me, as one who has tried to film at a Disney more

Videos for the weekend

19th January 2013

For this snowy Saturday, the week's selection of freely available online videos. Above, Act III of no. 3 below; no 4 has snowy aspects too. 1. How motion pictures became the movies This is a great innovation from David Bordwell's essential cinema website more