A Bigger Splash: the only way is Hockney

A Bigger Splash: the only way is Hockney

BFI Video has this week released Jack Hazan’s 1974 feature about David Hockney and his circle, A Bigger Splash. Available as a dual format DVD and Blu-ray, this fascinating and complex film has never looked better, not least because Hazan returned to a 35mm CRI for a new digital transfer. The timing is good too, for this study of life, love and sex among the Hockney set of the early seventies offers a very different picture of our ‘national treasure’ from the persona conjured up by the current Royal Academy show. The BFI has done an exemplary job with the release, as is pin-pointed by Anthony Neild’s thoughtful discussion at The Digital Fix. Included on the discs are two other shorts about Hockney – Love’s Presentation by James Scott, made in 1966, and David Pearce’s Portrait of David Hockney, 1972 – to which I’ll return in a future post. Meanwhile, included below is an extract from my essay commissioned for the booklet accompanying the BFI release.
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David Hockney: a life on film

David Hockney: a life on film

Although I have no easy way of checking, there must be hundreds of films – and quite likely thousands – that feature David Hockney. By the end of the week, with the opening of David Hockney RA: A Bigger Picture at the Royal Academy of Arts, there will most likely be a fair few more (the RA’s website has one, above). Far far more than other major artist of the past century, Hockney’s life, work and ideas have been exhaustively chronicled both by television and by numerous independent filmmakers. Coming of age with the box in the corner in the early 1960s, Hockney is a master of the medium – and his persona, his willingness to perform and his relative accessibility mean that scattered across the globe is a glorious archive of audio-visual fragments. I have chosen ten to highlight below, but I want first to make the serious point about how difficult – indeed, let’s say impossible – it is to track down and view this material. Each and every appearance of the artist in print is collated in scholarly bibliographies. But if you want to find out from any central source whether there’s footage, say, of Hockney talking about Domenichino (which there is), or of Hockney buck naked taking a shower (ditto), well… good luck!
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