Monday morning, five days ago. Just after ten o’clock on the top floor of the Royal Shakespeare Company’s south London rehearsal rooms the cast and creatives of Julius Caesar meet for the first time. Our chairs are set in a circle that just about squeezes into the space. Director Gregory Doran, the newly announced Artistic Director-designate of the RSC, introduces first the post’s incumbent, Michael Boyd. Michael expresses his pleasure that Greg (as he’ll be from now on in these blogs) is taking over from him. He talks also about the excitement and ambition of the World Shakespeare Festival, of which Julius Caesar is a central component. The stage version opens in Stratford-upon-Avon at the end of May, but when Greg introduces me, I remind him and everyone that exactly four weeks from now we will have turned over on principal photography for the film version. Four weeks. That’s, er, just twenty-eight days.
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