8th May 2013
Recently I sat in a viewing theatre with half a dozen other researchers and watched a truly remarkable 1965 television documentary called Walk Down Any Street. Directed for Associated-Rediffusion by Charlie Squires, the film is a clear-eyed and sympathetic verité
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6th May 2013
Yesterday was Karl Marx's birthday and today is a holiday that more or less coincides with one on 1 May that in some eighty countries celebrates International Workers' Day. On Friday last Illuminations said farewell, after more than a
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5th May 2013
Yesterday at BFI Southbank I saw a fine (although a touch short of immaculate) 35mm print of John Schlesinger's 1967 Far from the Madding Crowd. Marred by inconsistency in its central performances, this is nonetheless a magnificent film in many
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4th May 2013
Our colleague Todd MacDonald offers another selection of videos that caught his eye during the past week. His selection also appears on his personal blog.
Todd MacDonald: The long awaited new album from Bonobo emerged
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3rd May 2013
Upstage there is a set with an enclosed room and other smaller spaces, including two booths like those used for sound recording. The room is dressed as a kitchen, with walls which have extensive glass panelling allowing the audience to
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28th April 2013
This is both irresistible and a touch magical: an eight-minute video courtesy of The Criterion Collection with Martin Scorsese talking about and demo-ing the recent restoration of Laurence Olivier's 1955 Richard III (above). Shot
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25th April 2013
We are coming to the end of the Screen Plays season at BFI Southbank of television adaptations of Jacobean tragedy. In the final two screenings, tomorrow night (it's sold-out but there may be tickets on the
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23rd April 2013
Best show on TV? Easy. The Good Wife. But now that Broadchurch has finished, the second-best show (at least on a non-subscription channel) is most definitely Nashville, a series from ABC in the States that More4
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22nd April 2013
On Thursday night BFI Southbank screened Roland Joffé's 1980 BBC television adaptation of John Ford's play 'Tis Pity She's a Whore. This was shown as part of 'Classics on TV: Jacobean tragedy on the small screen', a season of television
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21st April 2013
On at New York's Metropolitan Museum of Art until 27 May there's an exhibition that I really want to see. Impressionism, Fashion and Modernity is a sumptuous assembly of 80 or so figure paintings along with
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