Jacobean jottings
We are coming to the end of the Screen Plays season at BFI Southbank of television adaptations of Jacobean tragedy. In the final two screenings, tomorrow night (it's sold-out but there may be tickets on the more
We are coming to the end of the Screen Plays season at BFI Southbank of television adaptations of Jacobean tragedy. In the final two screenings, tomorrow night (it's sold-out but there may be tickets on the more
Best show on TV? Easy. The Good Wife. But now that Broadchurch has finished, the second-best show (at least on a non-subscription channel) is most definitely Nashville, a series from ABC in the States that More4 more
On Thursday night BFI Southbank screened Roland Joffé's 1980 BBC television adaptation of John Ford's play 'Tis Pity She's a Whore. This was shown as part of 'Classics on TV: Jacobean tragedy on the small screen', a season of television more
On at New York's Metropolitan Museum of Art until 27 May there's an exhibition that I really want to see. Impressionism, Fashion and Modernity is a sumptuous assembly of 80 or so figure paintings along with more
I had a ticket to the National Theatre's Othello tonight, but circumstances now mean that I'm at home. Which offers the perfect opportunity to watch the online live stream of The Arrest of Ai WeiWei from Hampstead Theatre. The stream is more
I was 16 years old in the summer of 1971. At school I had just taken my O' levels, including English Language and English Literature, for both of which I had been taught by the poet Brian Jones. He told more
There's one straight-up, stand-out recommendation this week, Eric Naiman's lengthy essay for The Times Literary Supplement, When Dickens met Dostoevsky. It's the tale of a notable literary hoax about an alleged meeting encounter between the two authors in more
To Clapham Picturehouse for Manet: Portraying Life, the Royal Academy of Arts exhibition (until 14 April) 'captured for cinema screens worldwide'. That's the claim of Exhibition: Great Art on Screen, a new initiative from more
Let's suppose that Arts Council England employed the critic Andrew Graham-Dixon and a team of researchers and production staff to put together a substantial 3-volume history of the art of the Netherlands. ACE committed, let's say, £300K of public funds more
Here's an intriguing mystery. I have been writing in another context about the ITV company Granada and the benevolent despot who ran it in the 1950s and 1960s, Sidney Bernstein. Bernstein owned a chain of cinemas as more