‘A mourning Rome, a dangerous Rome’

2nd April 2012

Monday morning, three weeks before the start of principal photography on Julius Caesar. Six of the crew meet in bright sunshine outside a Northern Line station. We have come to recce the location which is a ten-minute walk away. There more

‘Tell us what hath chanced today’

30th March 2012

Monday morning, five days ago. Just after ten o'clock on the top floor of the Royal Shakespeare Company's south London rehearsal rooms the cast and creatives of Julius Caesar meet for the first time. Our chairs are set in a more

Where there’s a Will

8th March 2012

Simon Callow's one-person show Being Shakespeare today makes a triumphant return to London's Trafalgar Studios. The production plays until 31 March before transferring to New York (for tickets, go here) but today is also the release date for our more

‘Shakespeare’s Africa play’

29th February 2012

The first day of the location shoot for our film version of the Royal Shakespeare Company's new Julius Caesar is now just over seven weeks away. We have found our location and we are putting together our crew. BBC Four's funding more

BBC: ‘bastion of mediocrity’

27th February 2012

I have been reading the late Tony Richardson's memoir Long Distance Runner. (I know I promised a Julius Caesar update, but that waits on a RSC press release - tomorrow, I hope.) It is not clear whether Richardson's more

A Dickens of a day

26th February 2012

We cried, we cheered and we clapped (a bit), and then we cried some more. At 11.30 in the morning we set out with Nicholas, Kate and friends, plus a few enemies, on the wonderful journey that was (and, in more

Catching up…

17th February 2012

Yes, I've been super-busy - and, yes, I feel guilty about not posting here for nearly a fortnight. So let me construct a post about a few of the things we're involved in and also about one or two new more

Noises

26th January 2012

To the Old Vic to sit with Clare in two eye-wateringly expensive seats to watch an immaculate performance of Michael Frayn's Noises Off. The back-stage comic complications, combined with the high-end prices (top whack £85 a seat - more