Yesterday, I thoroughly enjoyed the full seven hours of the BBC's 1953 Coronation coverage which BBC Parliament re-ran in (almost) its entirety. You can read the blog that I wrote here as well as see the numerous screengrabs more
17:00 So that was great, and truly interesting in so many ways, some of which I'll try to note down in a further post. A thousand thanks to the BBC for the restoration and to BBC Parliament for the re-run, although more
The question is, Is this the end of television as we know it? Henry Jenkins at Confessions of an aca-fan asks it with more acuity than most, highlighting a video (that I have embedded below) of an hour-long more
By making available in perpetuity programmes without too many rights issues, the online BBC archive collections are proving to be invaluable resources for researching television history. A parallel archive release from BBC Four (oddly unlisted on the more
Recently I sat in a viewing theatre with half a dozen other researchers and watched a truly remarkable 1965 television documentary called Walk Down Any Street. Directed for Associated-Rediffusion by Charlie Squires, the film is a clear-eyed and sympathetic verité more
Yesterday at BFI Southbank I saw a fine (although a touch short of immaculate) 35mm print of John Schlesinger's 1967 Far from the Madding Crowd. Marred by inconsistency in its central performances, this is nonetheless a magnificent film in many more
We are coming to the end of the Screen Plays season at BFI Southbank of television adaptations of Jacobean tragedy. In the final two screenings, tomorrow night (it's sold-out but there may be tickets on the more
On Thursday night BFI Southbank screened Roland Joffé's 1980 BBC television adaptation of John Ford's play 'Tis Pity She's a Whore. This was shown as part of 'Classics on TV: Jacobean tragedy on the small screen', a season of television more
Let's suppose that Arts Council England employed the critic Andrew Graham-Dixon and a team of researchers and production staff to put together a substantial 3-volume history of the art of the Netherlands. ACE committed, let's say, £300K of public funds more
Why is the work of one of our greatest filmmakers - the director Alan Clarke - all but invisible? This is not a new question. Nor do I have anything original by way of an answer. But the issue is much more