Collective self-portraits from the BBC are always compelling. And that's exactly what the new video for BBC Music is, even as it features an all-star cast singing the 1966 Beach Boys hit 'God Only Knows'. There's already some good analysis more
The Tate Britain exhibition Kenneth Clark: Looking for Civilisation closes tomorrow, Sunday 10 August. I remain thrilled to have contributed to this by curating the television extracts and writing a catalogue essay about the television programmes that Clark made for ATV more
At 10.15pm on Wednesday 10 September 1952, just after an edition of the fortnightly film review show Current Release, BBC Television broadcast a 15-minute programme titled Shapes and Sounds. In its listing pages Radio Times described the transmission as 'an experiment more
For all sorts of reasons, I'm really looking forward to tonight's BBC Four broadcast of The Duchess of Malfi recorded at the Sam Wanamaker Playhouse. First off, John Webster's revenge tragedy is one of my favourite plays (along more
Tate Britain this week has opened the exhibition Kenneth Clark: Looking for Civilisation, which runs until 10 August. There is no sense that I can be impartial about the show, given that I contributed by curating the television more
British Pathé has just published a wealth of new material on its wonderful YouTube channel (there is more about this from The Drum), and among the delights (only 5 views so far) is a newsreel spot about more
Following on from the successful Screen Plays 'Classics on TV' seasons 'Greek Tragedy on the Small Screen' (June 2012) and 'Jacobean Tragedy on the Small Screen' (March-April 2013), the project is delighted once again to be working more
Every conference is a curate's egg, and you always hope that the good parts make up (and more) for those that are less so. A two-day gathering in Brussels this week dedicated to the films of more
Last week the first shrink-wrapped copies of Illuminations' DVD release of An Age of Kings arrived at our offices. The event marked the culmination of at least two years' work by my colleague Louise Machin and I, along with our more
Each time I return grumpily to the topic of today's post I feel the need to apologise to regular readers. I know that I have taken on several times before the vandalism represented by forcing 4:3 archive footage into contemporary more