John Wyver writes: For those of us who have been working in screen adaptations of stage performances it feels as if, in the specific as well as the general, over the past three weeks the world has turned upside down. more
John Wyver writes: Earlier this week I introduced the television reviews for The Listener written by Harold Hobson between May 1947 and September 1951. I want to dig into these further, today looking at a selection of the critic's more
John Wyver writes: Maybe this post will go a step, or indeed several such, too far. But humour me. I started out from a tiny moment of pleasure this morning when I saw that Andy Dickson had reviewed in more
John Wyver writes: Childishly pleased as I mostly certainly am with my headline, it's not my only reason for starting a short series of posts about Harold Hobson (1904-1992). Specifically I intend to explore Hobson's television criticism for the BBC's more
John Wyver writes: Since it appears as if we'll be spending even more of our time with our screens in the coming weeks, I thought I'd return to the blog with notes on some of the more obscure films and more
We hope that you've enjoyed Christmas. To brighten your January we're offering our fabulous how-best-to-get-to-know Shakespeare film, Muse of Fire, as a new download. Made by filmmakers Dan Poole and Giles Terera, it attempts to demystify the work of more
John Wyver writes: So it's the official publication day for Screening the Royal Shakespeare Company: A Critical History. My thanks to The Arden Shakespeare for taking this on, to Gregory Doran and other colleagues at the RSC for all more
Publication day for my book Screening the Royal Shakespeare Company: A Critical History looms, and so here's another instalment in my chapter-by-chapter breakdown. The third chapter, 'Making Movies, 1964-73' is really an essay of two halves. The second part considers more
My book Screening the Royal Shakespeare Company: A Critical History is published this coming week by Bloomsbury as part of The Arden Shakespeare series. I own to being very pleased about this, and I am writing a series of more
John Wyver writes: Today would have been the 100th birthday of Sam Wanamaker (pictured above as Iago in Stratford in 1959), the American actor and director who conceived the idea and campaigned for many years to build the replica more