John Wyver writes: Late evening on Monday 15 August 1939 saw a mobile control unit in Hammersmith for an hour-long outside broadcast from the Palais. Viewers saw dancing including the 'Palais Glide', 'Big Apple', , 'Jitter Bug', and 'Boops-a-Daisy', as more
John Wyver writes: The evening schedule of Sunday 13 August 1939, with the war little more than a fortnight away, was taken up with a production of James Bridie's fantasy Tobias the Angel. Frank Napier's production for the Regent's Park more
John Wyver writes: The afternoon of Saturday 12 August 1939, three weeks before the declaration of war, saw one of the BBC's mobile control units in Kensington Gardens for a leisurely hour-long outside broadcast from the edges of the Round more
John Wyver writes: My fascination with the ballet stars who appeared on early television continues. This time, I am featuring a performance just before the war by the famed Ballet Russe de Monte Carlo star Irina Baronova. Late evening more
John Wyver writes: In the line-up for the Baird 30-line transmission on the morning of 10 August 1931, along with jazz drummer L. Ash-Lyons and monologist Janet Barrow was Avril Coleridge-Taylor giving for the third time on television a more
John Wyver writes: Monday 9 August 1938 was the first day of the BBC's mobile control unit being at the Empire Pool, Wembley (now Wembley Arena) for the European Swimming Championships. Two afternoon visits continued each day throughout more
John Wyver writes: Intimate Interlude on the evening of Tuesday 8 August 1939 offered a bill featuring Mexican magician Kantu and Polish dancers Halima and Konarski, along with the mime artist Sherkot. As a vaudevillian whose act was almost entirely more
John Wyver writes: You can sense from Alexandra Palace's schedules that August was the cruellest month for those running the service in 1938 and 1939 (and remember that Television shut down for three weeks in 1937). Producers and crews more
John Wyver writes: The evening of the next day was to be devoted to the Russian ballet, and so the week's headline drama was played on Saturday 6 August 1938, rather than the traditional Sabbath. The play was J.B. Priestley's more
John Wyver writes: Nearly three years on from the first 405-line broadcasts from Alexandra Palace to Radiolympia, the levels of creative ambition and achievement were exceptionally high. The producers were creating innovative drama, mounting complex OBs and, as yesterday's more