Requiem for the Revolution

29th October 2026

John Wyver writes: Disconcertingly, Robert Vas' powerful, poetic documentary essay My Homeland (1976) begins in silence. The silence of the censored and oppressed. The silence of the early morning before the tanks rolled into Budapest nearly 70 years ago. The more

The pianist of Studio BB

15th August 2026

John Wyver writes: Come with me a little further down the rabbit hole that is Studio BB in the original Broadcasting House. This post follows my two-part 'This temple of the arts and muses', the first element more

‘This Temple of the Arts and Muses’, part 1

3rd August 2026

John Wyver writes: 'This Temple of the Arts and Muses' is the opening phrase of the dedication, displayed in Latin and supposedly written by John Reith, at the entrance to Broadcasting House. Sited on an irregular plot in Portland Place, more

The mystery of Alexandra Palace Studio A

31st July 2026

John Wyver writes: When the BBC television service at Alexandra Palace began operations officially on 2 November 1936, Studio A was fitted out with four Emitron electronic cameras supplied by the recently-established joint venture company Marconi-EMI. One or more of more

A small Films fail @BBCiPlayer

28th July 2026

John Wyver writes: In the global scheme of things, the concern I want to highlight this morning is little more than a mote. But apart from the irritation it has provoked, it is a small but potentially significant sign of more

Conference reflections

20th July 2026

John Wyver writes: Just over a fortnight since The Cultures of Early Television wrapped, with much – although far from all – of the admin done, and with the distractions of a weekend in Paris and the World Cup now more