29th October 2026
John Wyver writes: Disconcertingly, Robert Vas' powerful, poetic documentary essay My Homeland (1976) begins in silence. The silence of the censored and oppressed. The silence of the early morning before the tanks rolled into Budapest nearly 70 years ago. The
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23rd October 2026
We are delighted to showcase as a guest post this richly interesting and and remarkably useful guide to the BBC drama series Centre Play by our friend and television scholar Billy Smart (who himself blogs here). Our
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15th August 2026
John Wyver writes: Come with me a little further down the rabbit hole that is Studio BB in the original Broadcasting House. This post follows my two-part 'This temple of the arts and muses', the first element
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3rd August 2026
John Wyver writes: 'This Temple of the Arts and Muses' is the opening phrase of the dedication, displayed in Latin and supposedly written by John Reith, at the entrance to Broadcasting House. Sited on an irregular plot in Portland Place,
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31st July 2026
John Wyver writes: When the BBC television service at Alexandra Palace began operations officially on 2 November 1936, Studio A was fitted out with four Emitron electronic cameras supplied by the recently-established joint venture company Marconi-EMI. One or more of
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28th July 2026
John Wyver writes: In the global scheme of things, the concern I want to highlight this morning is little more than a mote. But apart from the irritation it has provoked, it is a small but potentially significant sign of
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21st July 2026
John Wyver writes: To the ICA on Saturday last for another fascinating programme in Michael Witt's Jean-Luc Godard: Unmade and Abandoned series. This has been a revelatory season, shown more or less monthly, of films by Godard
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20th July 2026
John Wyver writes: Just over a fortnight since The Cultures of Early Television wrapped, with much – although far from all – of the admin done, and with the distractions of a weekend in Paris and the World Cup now
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27th April 2026
John Wyver writes: Ten days ago, with perhaps rather too little fanfare, the Government released a new strategic vision for archives. Commissioned from The National Archives (TNA) and launched by Baroness Twycross, Minister for Museums, Heritage and
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6th April 2026
John Wyver writes: To Tate Modern for the richly interesting Nigerian Modernism exhibition (until 10 May) which is packed with the work of artists of whom I knew nothing. The second room is devoted to the art
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