John Wyver writes: Television on the afternoon of Sunday 2nd April was mostly occupied by the 40-minute feature Leviathan, described as 'a survey of sea-monsters, past and present'. A discussion between Lt-Commander R.T. Gould, author of The Case for the more
John Wyver writes: After an hour or so's coverage of the Boat Race on the morning of Saturday 1 April 1939, that afternoon Alexandra Palace offered the television premiere of Michael Powell's 1937 feature film The Edge of the World. more
John Wyver writes: At 9.06pm on Thursday 31 March 1938, AP presented The Hogarth Puppet Grostesques, produced and manipulated (along with Ann Hogarth and Kitty Tyzack) by Jan Bussell (above). On the programme were performances of 'The Puppet more
John Wyver writes: To the South Pole on the evening of Tuesday 30 March 1937 marked the 25th anniversary of the death of Captain Robert Falcon Scott and his companions in the Antarctic. The half-hour studio programme brought together more
John Wyver writes: In mid-March 1939, Alexandra Palace rolled out a metaphorical red carpet for the state visit of France’s President and Madame Lebrun. Alongside an outside broadcast of the King and Queen greeting the visitors at Victoria Station, more
John Wyver writes: 28 March appears to be another unremarkable date in each year of pre-war television, and as a consequence it offers the opportunity to compile another subject index to my 113 original posts to date. The format is more
John Wyver writes: On Monday 27 March 1939 television visited His Majesty’s Theatre, Haymarket, for a three-hour relay, produced by Dallas Bower, of Magyar Melody, a romance set in Hungary with book and music co-written by the BBC’s former director more
John Wyver writes: The Sunday evening play on 26 March 1939 was a production by Desmond Davis of Oliver Goldsmith’s eighteenth-century comedy She Stoops to Conquer. Morris Harvey and Renée le Vaux played Mr and Mrs Hardcastle, with James Hayter as more
John Wyver writes: On the afternoon of Friday 25 March 1938, The Mercury Ballet, by this point also known as Ballet Rambert, gave the second screen performance of the 19-minute Bar Aux Folies-Bergère, choreographed by Ninette de more
John Wyver writes: Almost all pre-war television comedy came courtesy of funny men in variety bills, or in dramas taken over from the theatre. But there is one pre-war original series that points the way to the future of television more