27th January 2025
John Wyver writes: At Alexandra Palace on Wednesday 27 January 1937 painter and printmaker John Piper (above) discussed ‘The picture in the modern home’ with architect and designer Serge Chermayeff.
In London Galleries – Art and Modern Architecture, the two modernists reflected on works by, among others, Naum Gabo, Edward Wadsworth, and a figure that the PasB recorded as Lissitsay (sic), but who we would recognise as El Lissitzky. The broadcast was one of a series in which in the first months of the 405-line service Piper introduced a rich range of traditional and contemporary visual art on screen.
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26th January 2025
John Wyver writes: This, my friends, is The Big One. Ninety-nine years ago, on the evening of Tuesday 26 January 1926, in rooms above what is now Bar Italia in London’s Soho, John Logie Baird gave the first public presentation of what he called ‘true television’.
Invited guests, along them members of the Royal Institution and their partners, some in full evening dress, climbed the three flights of narrow stone stairs at 22 Frith Street. After waiting in a draughty corridor, they were ushered six at a time into the maverick inventor’s tiny rooms.
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25th January 2025
John Wyver writes: Nearly three months after the official opening of the BBC’s ‘high definition’ Television service from Alexandra Palace, The Midland Daily Telegraph ran a round-up feature about the new medium. Published on Monday 25 January 1937, this anonymous and lengthy column touches on many of the key issues facing the AP operation, at the same time as indicating just how uncertain its future was seen to be.
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24th January 2025
John Wyver writes: the whole of the afternoon schedule on Monday 24 January 1938 was occupied by a presentation of act 2 of Richard Wagner’s music drama Tristan and Isolde. In the evening this was played again, in perhaps the most uncompromising cultural transmission of the pre-war period. Inevitably, the producer responsible was the innovative and uncompromising modernist Dallas Bower. The reaction was, well, mixed.
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23rd January 2025
John Wyver writes: First transmitted on the afternoon of Monday 23 January 1939, Rehearsal for a Drama is one of around a dozen plays that premiered on the Television service from Alexandra Palace. Written for the new medium, and set in a television studio at, well, Alexandra Palace, on the evidence of the script it was also a remarkable “meta” moment for early television. Oh, and there’s a mystery attached to it too.
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22nd January 2025
John Wyver writes: one part of Saturday primetime (not that there was such a concept yet) on 22 January 1938 was given over to a 13-minute Table Tennis Demonstration by the great Hungarian-British champion Victor Barna and four members of the England table tennis team, among them a sole woman, Margaret Osborne. This was a second presentation of a transmission that had also run earlier in the week, and of one of these broadcasts we have a richly detailed description in an anonymous Listener column (26 January 1938; from where the image above comes).
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21st January 2025
John Wyver writes: This is a cautionary little tale about the perils of live television – and of roller skating. The main offering on the evening of Saturday 21 January 1939 was producer Harry Pringle’s Cabaret bill featuring comedy xylophonist Sid Plummer, funny stories from Gene Plummer, Gene Sheldon’s banjo act and The Four Sensational Macks, seen at AP above. The following Monday a page 10 Manchester Guardian story was headlined, ‘SKATERS FALL FROM TABLE – Television Accident’.
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20th January 2025
John Wyver writes (a little later than usual, given all of the activity prompted by yesterday’s post and follow-ups): the afternoon of Friday 20 January saw the fourth performance of one of the new medium’s undoubted ‘high culture’ hits.
Billed as ‘a masque to the music of Humperdinck’, this was a staging of a reduced version of Engelbert Humperdinck’s opera Hansel and Gretel, which had been first performed in Weimar in 1893. Stephen Thomas’s presentation involved actors miming before the cameras while singers performed off-stage.
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19th January 2025
John Wyver writes: A mystery. Afternoon transmissions on Tuesday 19 January 1937 included the 8-minute unbilled drama The Underground Murder Mystery by J. Bissell Thomas. Produced by George More O’Ferrall, this would appear to be the first original script (that is, not adapted from a stage play) broadcast from Alexandra Palace, but – appropriately perhaps – it’s a mystery. No script seems to exist, and even the writer is fairly obscure. Can anyone help with any further information?
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18th January 2025
John Wyver writes: at 3.01pm and again at 9.01pm on Monday 18 January 1937, via the Marconi-EMI system, Alexandra Palace transmitted a 15-minute programme of folk songs and sea shanties by the Arts League of Service (ALS). Bunny Churcher, John Rudling, Dennis Hutchinson, Eleanor Elder, and Brandon Acton-Bond performed songs including ‘Polly Oliver’ (arranged by Cecil Sharp) and ‘The Moorish Maid’, while Rosemary Jephson demonstrated Margaret Morris movement exercises to Schubert. And the ALS…?
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