John Wyver writes: The world gets worse (and will, for at least another 9 sleeps), but hopefully Sunday links stays much the same. My thanks to those in my Twitter feed who continue to recommend so much great stuff for me to select and aggregate here.
• Brexit – a conversation across the divide: a worthwhile initiative in which Ian Dunt and Robert Tombs exchange views in a civil manner; I confess to being far more convinced by Dunt’s opening missive than Tombs’s reply.
the act of bringing together our daily doses of media criticism paints a clear picture of an industry whose basic practices and rhythms have conspired, time and again, to downplay demagoguery, let Trump and his defenders off the hook, and drain resources and attention from crucial longer-term storylines.
• Against nostalgia: a post for zeynap’s new substack about the second presidential debate, William Fielding Ogburn’s notion of ‘cultural lag’, and the problems of nostalgia.
John Wyver writes: It’s been quite a week. As I said on Twitter, the response to Drama Out of a Crisis has been more extensive and enthusiastic than to almost anything I’ve made in nearly forty years as a producer. Which may explain why Sunday links is (a) a bit late, and (b) a bit shorter than usual. Thanks as ever to those in my Twitter feed for recommendations.
Museums are not neutral. The built environment is constantly changing. Community values must lead curatorial decision-making. People are more important than objects. These aren’t revolutionary critiques; they are long-established professional standards in the arts, heritage and culture sectors. How to fight the culture war? By stepping away from its divisive framing – and by resisting interference in democratic, locally accountable heritage management and curatorial practice.
Where neutral sources of news vanish, truth fades into irrelevance. The government amasses more power than it could secure through propaganda alone: the power to escape scrutiny, to never be held to account, to no longer care about the veracity of its claims.
• And this is the most enlightening Twitter thread of the week, posted in response to a question from Armando Ianucci…
I’m cautious because self-justification is almost always an inappropriate strategy for programme makers, so I started these notes with no such intent. At the same time I want to expose something of the thinking — for good or ill — that went into producing the documentary. I’m cautious too because I fear that committing these thoughts to a blog will make the process seem far more pre-planned than in fact it was. Editor Todd Macdonald and I had some initial thoughts about what we would do, but much of what resulted came from a process of trying stuff out during a fairly lengthy remote edit and simply playing around (always respectfully, I hope) with the interviews that we haa shot and with the moving image archive and stills.
John Wyver writes: I’m keen to use this post to draw together the features, previews and reviews for our documentary Drama Out of a Crisis: A Celebration of Play for Today, first shown on BBC Four on Monday 12 October and now on BBC iPlayer. I’m not including anything that simply re-works the press release, but I want to highlight any substantial and/or judgemental discussions – and that means the good as well as the bad and even the ugly (of which there are now examples). I’ll extract some of the more pertinent comments from pieces, and where links are available I’ll feature these too. My thanks especially to Ian Greaves and Billy Smart for their help.
John Wyver writes: Regular readers of the blog might have noticed that tomorrow night, Monday 12 October, our documentary Drama Out of a Crisis: A Celebration of Play for Today is premiered on BBC Four. Preparations for that have been all-involving, so forgive me if this week’s Links is a little less extensive than usual; as for the header image, see this CNN story and go to And finally… below.
• Britain at the end of history: Robert Saunders is excellent on Margaret Thatcher’s failed attempt to prevent the reunification of Germany 30 years ago:
This left her weakened internationally and isolated at home. It contributed to her downfall in 1990 and had lasting consequences for Britain’s relations with the European Union. Thirty years on, it offers a cautionary tale for British diplomacy after Brexit: not least in its tendency to exaggerate British influence; to vest too much in displays of ‘strength’ and ‘resolve’; and to blame others for its mistakes.
• The 1619 Chronicles: a truly remarkable column from Bret Stephens at The New York Times about history, truth, transparency, honesty, slavery and, centrally, The New York Times.
• Inside the Lincoln Project’s war against Trump: great writing by Paige Williams for The New Yorker on the former Republicans fighting with videos and more for truth, justice and the American way – including this week’s brilliant ‘Covita’:
John Wyver writes: With transmission on Monday evening (9pm, BBC Four, in case you’re in any doubt) hurtling towards us I’m returning to this series of posts reflecting on the production process of our documentary about Play for Today, Drama Out of a Crisis. I’ve already considered aspects of Starting Out, The Interviews and The Archive, and here I want to explore the distinctive graphics of the programme.
From the very beginning, I knew that the film needed an overall graphic design. In part, I simply enjoy sophisticated screen graphics and I think they can add immeasurably to a film. Too often, however, they seem as if they were one of the last elements to be considered, once almost everything else was in place. I was determined that would not be the case on this project.
John Wyver writes: yet another weird week, and yet another more-or-less sensible list of links to stuff that interested or engaged me over the past seven days. My thanks, as always, to those that I follow on Twitter for their great recommendations, a number of which I pass on here. And I begin with a clutch of important pieces about free expression:
Believing that an economy whose organising principle is profit isn’t humanity’s endpoint is a legitimate opinion to be debated in a functioning democracy; but as Martha Spurrier, director of Liberty, tells me, this diktat “is a heavyhanded attempt to stop free speech and prevent free thought. It’s asking teachers – people interested in expanding minds – to become enforcers of politicians’ desire to quell dissent, criticism and debate.”
• The Philip Guston show should be reinstated: for The New York Times, Jason Farago on the absurdity of the postponement’ of the Guston retrospective at Tate Modern and elsewhere – and the robust response by nearly 100 artists, curators and others.
John Wyver writes: with Monday 12 October now confirmed for BBC Four’s initial transmission of Drama out of a Crisis: A Celebration of Play for Today, I’m going to continue my series of posts about the making of the documentary. The first two are here (‘Starting Out’) and here (‘The Interviews’), and in these notes I want to reflect further on the use that editor Todd MacDonald and I made of the archive resources – including the exceptional drama Leeds United! (wr. Colin Welland, dir. Roy Battersby, 1974), pictured above.
John Wyver writes: another week, another clutch of links to articles and videos and the occasional Twitter feed that I have found of interest – as always, I compiled this from the online sites I visit regularly and from all sorts of stuff that pops up in my Twitter timeline.
… constructing and distributing a vaccine may solve a set of political and economic problems while also creating a set of new ones. We imagined that an effective inoculation would be a cause of celebration. It may turn out to be a symbol of global injustice and a trigger for grievance across the world.
• It’s not hypocrisy: Lili Loofbourow is great for Slate on the past week in America, but not only on that but on our situation here too:
We are overdue for a real reckoning with what it means to be degraded by our own leadership. And make no mistake: It is degrading when people lie to you openly and obviously. Leaving the polity aside for a moment, it’s the kind of emotion we humans aren’t great at coping with… [And] if you can’t cover it with cynicism, it simply hurts.
• Short cuts – woke conspiracies: a rapid-response piece by Will Davies for LRB about culture wars, the BBC and the nationalist and libertarian right, made all the more urgent by this morning’s speculation about Charles Moore and Paul Dacre.
John Wyver writes: with the 50th anniversary of the first Play for Today broadcast in 1970 fast approaching, and with our BBC Four documentary about the strand, Drama Out of a Crisis: A Celebration of Play for Today, scheduled at 21.00 on Monday 12 October, this is a page drawing together the various related activities. I aim to keep this updated (and welcome further suggestions), and once we’re past 15 October it may remain useful as a list of resources.
The events that I know about are listed in what I believe to be chronological order. Note also that, in addition to @Illuminations, the dedicated Twitter feed @PlayforToday_20 carries news as well as lively discussions about the series and individual productions, and I expect this to become even busier in the coming days.