5th November 2025
John Wyver writes: The high definition television service from Alexandra Palace was just three days old on Bonfire Night 1936. That afternoon, after a performance under the name of the Mercury Ballet of Marie Rambert's dance company, the film documentary
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25th September 2025
John Wyver writes: The evening of Sunday 25 September was mostly taken over by the 2 hour-plus reprise of Luigi Pirandello's Henry IV, originally produced in March by the innovative producer Dallas Bower. As before, Ernest Milton took the title
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14th September 2025
John Wyver writes: Here's a curiosity that stretches across pre- and post-war, and the latter part of which I owe to the scholar Geoff Brown. On the afternoon of Tuesday 14 September 1937, Dallas Bower produced for the AP television
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8th August 2025
John Wyver writes: Intimate Interlude on the evening of Tuesday 8 August 1939 offered a bill featuring Mexican magician Kantu and Polish dancers Halima and Konarski, along with the mime artist Sherkot. As a vaudevillian whose act was almost entirely
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22nd March 2025
John Wyver writes: The afternoon of Tuesday 22 March 1938 was graced with the first performance of Dallas Bower's 75-minute production of Henry IV by Luigi Pirandello. As Wikipedia says, the drama is 'a study on madness with comic and
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20th March 2025
John Wyver writes: On the afternoon of Saturday 20 March 1937, following a display of model aircraft, producer Dallas Bower oversaw the first transmission of the 35-minute Pasquinade, claimed as the first original revue for the new medium. Conceived in
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5th February 2025
John Wyver writes: The evening of Sunday 5 February 1939 was taken up with a 105-minute version of Shakespeare's The Tempest, with John Abbott as Prospero and actor, writer and poet Stephen Haggard as Ariel. Playing Caliban was
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24th January 2025
John Wyver writes: the whole of the afternoon schedule on Monday 24 January 1938 was occupied by a presentation of act 2 of Richard Wagner's music drama Tristan and Isolde. In the evening this was played again, in perhaps
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20th April 2017
I am delighted that this week the new issue of the Historical Journal of Film, Television and Radio has published my article 'Exploring the lost television and technique of producer Fred O’Donovan'. The article is developed
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