Sunday links stripped-down
• The Space: welcome!
• The 1940s are over, and Tarantino is still playing with the blocks: David Bordwell on Quentin Tarantino, Walt Disney, and Henry James.
• Are digital cameras changing the nature of movies?: part one (of three) from Andrew O’Hehir at Nautilus.
• Finding the method in the medieval theatre’s madness, from the Guardian.
• Interview – veteran theatre director Peter Brook: from the Financial Times.
• Director Maria Aberg: ‘We have a responsibility to consider gender-blind casting’: The White Devil director interviewed at What’sOnStage.
• She speaks: Dan Hutton in the RSC rehearsal room for Midsummer Mischief.
• Going live – Philip Auslander and the theatre of liveness: Erin Sullivan at Digital Shakespeares.
• On criticism – the Guardian years: pieces on theatre criticism at Postcards from the Gods.
• Inheritance: Ian Parker profiles Edward St Aubyn, The New Yorker.
• Reading – the struggle: Tim Parks, New York Review of Books.
• On Margate sands: Luke McKernan goes back to Margate to see Mondrian.
• The urge to strangle: T J Clark on Matise, London Review of Books.
• Nicholas Serota on Cy Twombly’s gift to Tate: from the Financial Times.
• The Ladybird book of postwar rebuilding: from Dirty Modern Scoundrels.
• How state of the art engineering is revolutionising the museum experience worldwide: from Architizer.
• Jennifer in paradise: the world’s first Photoshopped image, from the Guardian.
• Inaugural lecture – A Decade in Digital Humanities: from Melissa Terras.
• A world digital library is coming true!: Robert Darnton for The New York Review of Books.
• The trials of Entertainment Weekly: one magazine’s 24 years of corporate torture: Anne Helen Petersen for The Awl.
• All of Bach: every week you can find here a new recording of one of Bach’s 1080 works.
• Yesterday: a new Haruki Murakami story, courtesy of The New Yorker.
PS. The above is a try-out for a new Sunday Links format, stripped-down, lacking credits and thanks, but perhaps sustainable. We’ll see.
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