John Wyver writes: Another first - the opening 10-minute episode on the evening of Tuesday 12 July 1938 of television's earliest serial "soap", written by venerable actor Louis Goodrich and titled Ann and Harold. The main characters are Ann Teviot, more
John Wyver writes: We have already seen how in May 1938 television's love affair with Jane Austen began with a compacted adaptation of Pride and Prejudice. Less than two months later, the new medium first entered the world of more
John Wyver writes: Under producer Eustace Robb, the BBC's 30-line Television service mounted increasingly elaborate productions of classic ballets. Among his most enthusiastic collaborators was former Diaghilev star Lydia Sokolova, who first adapted the one-act Cléopâtre which Michel more
John Wyver writes: Responding to the full-length drama given on the evening of Sunday 9 July 1939, Grace Wyndham Goldie in her column for The Listener did not hide her judgement from her readers:
There were half-a-dozen curious things aboutmore
John Wyver writes: In its first month of operation the Television service from Alexandra Palace presented extracts from a theatre production of T.S. Eliot's Murder in the Cathedral. But the new medium's real engagement with the major playwrights of the more
John Wyver writes: 'Television seen 200 miles away' ran the heading of a front-page story in The Era on Thursday 7 July 1938, along with the sub-heard, 'Paris received on the South Downs'. And the report continued,
Startling possibilities aremore
John Wyver writes: 'Fashion' in programmes from pre-war Alexandra Palace invariably meant clothes for women, but there was an outlier on the evening of Tuesday 6 July 1937. Men's Dress Reform was a 17-minute programme produced by Mary Adams looking more
John Wyver writes: Tucked in at the end of the afternoon's programming on Monday 5 July 1937 is a curious three-minute 'local OB' titled The Coronation Train. Goodness knows that the result was like but, with commentary by Leslie Mitchell, more
John Wyver writes: The late-night 30-line broadcast on Tuesday 4 July 1933 featured alongside comedian Sydney Arnold and Olive Groves with songs from John Gay's The Beggar's Opera, the Russo-Finnish dancer Cleo Nordi. Trained in St Petersburg, she had more
John Wyver writes: Stage representations of the Great War were rare in the first decade after the Armistice, and it was R.C. Sherriff’s Journey’s End, which became a major hit after its premiere in late December 1928, that defined the more