John Wyver writes: Noting 'E.H.R.'s brief review in The Observer on Sunday 16 July 1939 of East End, a programme that was broadcast four days before, allows me both to preserve OTD-ness today while at the same time writing about more
John Wyver writes: Another first - the opening 10-minute episode on the evening of Tuesday 12 July 1938 of television's earliest serial "soap", written by venerable actor Louis Goodrich and titled Ann and Harold. The main characters are Ann Teviot, more
John Wyver writes: We have already seen how in May 1938 television's love affair with Jane Austen began with a compacted adaptation of Pride and Prejudice. Less than two months later, the new medium first entered the world of more
John Wyver writes: 'Fashion' in programmes from pre-war Alexandra Palace invariably meant clothes for women, but there was an outlier on the evening of Tuesday 6 July 1937. Men's Dress Reform was a 17-minute programme produced by Mary Adams looking more
John Wyver writes: Tucked in at the end of the afternoon's programming on Monday 5 July 1937 is a curious three-minute 'local OB' titled The Coronation Train. Goodness knows that the result was like but, with commentary by Leslie Mitchell, more
John Wyver writes: Stage representations of the Great War were rare in the first decade after the Armistice, and it was R.C. Sherriff’s Journey’s End, which became a major hit after its premiere in late December 1928, that defined the more
John Wyver writes: Lookers-in on the evening of Saturday 1 July 1939 were treated to a 50-minute anthology of scenes from literature about the law. Compiled by Barbara Nixon and produced by Desmond Davis, this followed on from a more
John Wyver writes: The magazine show Picture Page was the widely recognised 'hit' of the pre-war Television service from Alexandra Palace. By the summer of 1939 it was mounted twice on Thursdays, in the afternoon and evening, with often little more
John Wyver writes: The afternoon and evening of Monday 28 June 1937 saw one of pre-war television's most innovative performance programmes. Artists who worked regularly in the Alexandra Palace studios often found the resources of time and space frustrating, but more
John Wyver writes: At twenty-past-four on Monday 26 June 1939, just two months before war was declared, Grace Wyndham Goldie showed her green ticket to gain access to Broadcasting House’s Concert Hall (above, in 1932, soon after its opening). The more