The language of lockdown 3.

5th June 2020

John Wyver writes: Following on from my two earlier posts, here and here, this one develops my tentative thoughts about screen performance in lockdown and the prevalence - and seeming appropriateness -- of split-screen styles for this moment. more

The language of lockdown 1.

1st June 2020

John Wyver writes: Two months or so into lockdown I wonder if, along with so much else, we are seeing a fundamental shift in the screen language of our moving image media. So do I have your attention now? I am more

Masterpieces at home 1.

27th April 2020

John Wyver writes: Frustrating as being isolated at home is in many ways, it is also fascinating for the opportunity to observe how cultural organisations are conjuring up all sorts of smart, innovative ways to respond to the crisis. As more

Dancing at Illuminations

23rd April 2020

John Wyver writes: the current embrace of streaming performance by cultural organisations, broadcasters and audiences means that, amongst a cornucopia of online delights, you can find a rich range of Illuminations' productions and collaborations involving dance. Highlights of the available more

Hobson’s choices: stage to screen

28th March 2020

John Wyver writes: Earlier this week I introduced the television reviews for The Listener written by Harold Hobson between May 1947 and September 1951. I want to dig into these further, today looking at a selection of the critic's more