To Stockholm for meetings with colleagues on the 2-IMMERSE research project, and to dinner on the 28th floor of the television tower known as Kaknastornet. This truly splendid example of 1960s brutalism is 155 metres tall and remains a major hub for satellite services. They say the views from the restaurant are spectacular, but last night pretty much all we could see was the dense mist that was shrouding the building. The building itself, however, is more than enough of a treat.
On Monday I wrote about the recording of the Rambert dance work Tomorrow that is featured on the Shakespeare Lives 2016 website. I am following that up today with a pointer to a quite different page that I curated for the website. Great Shakespeare Speeches features extracts from a range of Royal Shakespeare Company productions adapted for television. What follows is a version of my text together with embeds of three of the clips (which my colleague Todd MacDonald edited). Do visit the page itself for all twelve of the speeches. read more »
Over the past week I have contributed in a small way to two events involving screenings of television documentaries about architecture. On Thursday I introduced at BFI Southbank two films written and presented by Kenneth Clark, Great Temples of the World: Chartres Cathedral (1965) and The Royal Palaces of Britain (1966). And on Saturday the Birkbeck Institute for the Moving Image presented Broadcasting the Arts: Architecture on TV, which included further screenings and a talk by me about Clark and architecture. The BFI Southbank event is part of an Architecture on TV season at the BFI, and both are contributions to the extensive and month-long London Festival of Architecture. There is plenty more to explore at BFI Southbank and across London (as below), but today and in a couple of other posts I mostly want to highlight how with online resources you can organise your own little architecture-on-television festival. Starting today with the films of Ian Nairn. read more »
It’s been a week of Hamlet, the live cinema broadcast of which I produced for the RSC on Wednesday, and also of talking about Kenneth Clark’s television at a BFI Southbank screening on Thursday and a Broadcasting the Arts: Architecture on TV seminar at Birkbeck yesterday. Which, along with other work, the cricket and the football, has not left much time for the blog. As always, I aim to do better next week, but in the meantime here are links to articles and videos that I have found interesting over the past week.
It’s by now clear that the presidential election of 2016 is something larger than and apart from just another quadrennial contest for the highest office; it’s a national crisis.
• of the North / Tabu: in an interesting essay for Reverse Shot, Max Carpenter reflects on film, anthropology, documentary and truth as he responds to Dominic Gagnon’s found-footage documentary and Miguel Gomes’ remake of Murnau’s feature.
• Acting under a spell – Jean Pierre Leaud in Rivette’s OUT 1: a strange and rather wonderful video essay for Fandor by Daniel Fairfax and Kevin B. Lee:
Links to interesting stuff that I have discovered over the past week. A day late, I fear, in part accounted for by the preparations for the RSC Live from Stratford-upon-Avon broadcast of Hamlet on Wednesday.
• A visit to the nitrate picture show: Hillary Weston for The Criterion Collection reports from a ‘glorious weekend’ at the George Eastman Museum in Rochester, New York.
So I logged on to Facebook today and this is what I found…
34th anniversary! How can that be? What I think must be the case is that we incorporated Illuminations Television Ltd 34 years ago. My then-colleague Geoff Dunlop and I bought for a few pounds a company off the shelf – which as I recall was a bankrupt double glazing provider – and changed the name and the articles of association. And suddenly we owned an independent production company. We didn’t have an office, we didn’t have any commissions, and we didn’t have much sense of what being independent producers entailed. But then nobody did back then. This was before Channel 4 had gone on air, and like lots of others we recognised an opportunity and took a punt. 34 years ago today! read more »
Shakespeare Live! From the RSC is now available as a Region 2 DVD. Here it is on display today in the Royal Shakespeare Theatre in Stratford-uopn-Avon. Which is where it was broadcast from on 23 April. That is all.
Links from the past week for this holiday weekend.
• Black Dog: this is terrific – frames (one of which is above) from comic book artist and filmmaker Dave McKean’s graphic-novel biography of painter Paul Nash, created as part of the first world war centenary art project 14-18 Now; courtesy of the Guardian.
• The high times and hard fall of Carl Laemmle Jr.: a Hollywood tragedy, beautifully told by Farran Smith Nehme for Film Comment, linked to this great-looking MoMA season; Laemmle was undone by the spiralling budget on the 1936 Show Boat from which this comes – Helen Morgan (Julie) with ‘Can’t Help Lovin’ Dat Man’… beautiful and bizarre (see Irene Dunne shimmy!), and with the racial stereotypes from the time.
Through yesterday I posted some thoughts from The Live Cinema Conference 2016 at King’s College London. At the end of the day we retired for the traditional post-discussion drinks (even if some were surprised that an event with a comparatively high ticket cost rolled out a cash bar). As we were standing around musing and moaning, we were interrupted by the appearance of a KCL alumnus who it transpired was a prominent barrister in the early 1960s. And so began a promenade drama that led us into an encore screening of NT Live’s recent broadcast of Hangmen. Additional accompaniments were to include both some further dramatic pieces and an introduction to ‘edible cinema’. I have to admit that, while I found elements of this engaging, it didn’t really deliver for me, and at the interval I mentally made my excuses and left. I was tired, in part after a slightly disappointing day that ultimately I decided was grounded in a category error. Of which more below. read more »
A shot of Kaknastornet by Jonas Bergsten, released into the public domain via Wikimedia.
